Watch The Moon-Spinners Movie Online

March 13th, 2010 by michaelmeyers1951
Watch The Moon-Spinners Movie Online. Watch The Moon-Spinners Movie Online.

Movie Title: The Moon-Spinners
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The Moon-Spinners is available for streaming or downloading.

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Once again, Disney misses the heed with an gross DVD release. Why do we crave seeing our celebrated stars on DVD? Represent clarity, extra features, restored prints, optional commentary… none of which are evident on this unpleasant release of a astounding Hayley Mills film. Disney’s inexplicable inconsistency becomes evident when abominable efforts such as this one are compared to stellar, awe-inspired efforts such as “The Parent Trap” and “Pollyanna”, multi-disk sets released with quality and features on par with Criterion Collection releases. I give up on buying Disney. Next time, I’m going to rent the DVD first. Why destroy money on unusual Disney DVD’s that are wicked in quality to the VHS versions I already have! Hey Disney, wake up!

UPDATE: The web dwelling did not let me change the stars so support in mind the DVD is 1 star and the movie itself is 4 stars.

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DVD 1 star

The DVD release that is listed at this page at the time I am reviewing this… It is not in the novel widescreen, or remastered. The sound has not been improved from the VHS version. It lacks any extras at all. Effect your money and preserve your VHS version for now.

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FILM REVIEW 4 stars

First off this is a amazing movie, and very modern in its graceful Island setting of Crete. It is a fun mystery. Directed by James Neilson, produced by Bill Anderson. Released in theatres in 1964, it starred Hayley Mills, Eli Wallach, Joan Greenwood, and Peter McErney. It is the mercurial paced myth of two tourists that accidently tangle with some murderous jewel thieves. Hayley plays Nikky, on vacation with her Aunt Frances in a diminutive Greek fishing village. They quit at a remote sleepy petite inn, and brand that a dashing young man that Nikky is falling for from England suddenly dissappears. Romance, drama, mystery, action, and humor are in this film. The actors all work hard to execute the film believable and do a spacious job. Pola Negri who had not made a film in 20 years was convinced to approach out of retirement, and does a amazing job as the treacherous Madame Habib. She lives on a yacht and has a cheetah on a leash for a pet. Young MCEnery went on to appear in “the Fighting Prince of Donegal” for Disney.

There is some fine cultural stuff, the greek wedding dancers costumes were from a musuem, and the dancers were local professionals. Filming on residence, Disney spent a fortune rebuilding the village that had been ravaged by WWII. They traditional 25,000 feet of toddle and 2,000 sheets of plywood. The epic was taken from a book by Mary Stewart, suggested to become a movie by Mrs. Lillian Disney, but the finished film is sparkling far from it’s modern sage. Top-notch mucical acquire by Ron Grainer, title song written by Terry Gilkyson.

It eventually aired on “the Astounding World of Disney”, in 1966, ‘67, and ‘82. It even aired in 1975 in conjunction with the “Saturday Night at the Movies with Disney” specials. Released on video the first time time in 1985. If you like Disney films of the period, you will appreciate this one too. It is nice to ogle Hayley Mills in her more outmoded role.

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Lowest Price on E2 Design: Season 3

March 12th, 2010 by michaelmeyers1951
Lowest Price on E2 Design: Season 3. Lowest Price on E2 Design: Season 3.

Product: E2 Design: Season 3
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I bought it as a gift for Christmas because it was on the list my sister gave me. She was very tickled to net it, but seemed disappointed that it was only one disc with 6 episodes. I was stupefied to launch it when it arrived to behold that I had paid $25 for one disc. But if someone really wants it, I guess what else are you going to do? As a gift, I probably would have opted for a gift that gave a puny more for my money.
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Streaming Ultimate Avengers - The Movie Online

March 10th, 2010 by michaelmeyers1951
Streaming Ultimate Avengers - The Movie Online. Streaming Ultimate Avengers - The Movie Online.

Movie Title: Ultimate Avengers - The Movie
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Ultimate Avengers - The Movie is available for streaming or downloading.

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I pronounce you what…earn this if you’re a fan of the Hulk alone. That in itself is reason enough to seek this movie. I have forever loved all that the Hulk represents and how he rolls. But he about lost his mind in this movie! I loved it!!! Beyond that, well-behaved site, heavenly fantasy cartoon babes abound, and as a Marine, I appreciated how Captain America and the military were portrayed as they went into battle against Nazis and dwelling aliens in WWII. C,mon…location aliens, dream babes, Nazis, and the Hulk…what’re you waiting for? Relax the literary critic inside you and have some fun. Go. Rent.

Most agree that the tale was poor for this appealing release. I personally contemplate portion 1 was bearable, but 2 was cessation to unwatchable. What I DO however like about this release, is the quality Bluray brings. Those who train you animation wont be enhanced by hi def? Display them this. Crisp lines, and solid colors all around. Very impressive to glance visually. And the sound was amazing. I only consume the two speakers on my TV, but the sound that came out of this release was mild lovely unbelievable, leaps and bounds over my regular DVDs.
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Stream John Wayne: The Fox Westerns Collection

March 9th, 2010 by michaelmeyers1951
Stream John Wayne: The Fox Westerns Collection. Stream John Wayne: The Fox Westerns Collection.

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This area contains an absolute GEM…which is the 2 disc THE Colossal Traipse from 1930(the 2008 Widescreen edition) and three lesser 1960’s era Wayne colour widescreen films. The Gargantuan Stagger is a must have for western, film or wayne fans and the three others are certainly fun later Wayne films that don’t add distinguished label to the package. I should add that earlier editions of these three films had nice / fun featurettes that have been elminated from this offering ..so if you have them I’d pick up the unusual Tall Wander on its occupy.

John Wayne didn’t really tame the wild, wild west; it impartial seems like he did. The man is larger than life and about as iconic as it gets. JOHN WAYNE - THE FOX WESTERNS doesn’t advance cessation to showcasing his best films, with two of the four - THE COMANCHEROS and THE UNDEFEATED - being merely passable fare. However, a third entry NORTH TO ALASKA is a good-natured, rollicking film, while THE Titanic Lunge is a itsy-bitsy known but historically momentous cinematic gem.

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Plenty to say about THE Mammoth Move. Assist in 1930, Marion Morrison was 23 years primitive and working as prop man on the movie lot when legendary director Raoul Walsh saw him and took an big chance. Marion’s name was changed to John Wayne, and he was given the lead in Walsh’s ambitious, sweeping western tale THE Enormous Lunge. Notice that even though director John Ford had already planted Wayne in several films, it was as an extra. Wayne was very raw here, in his first starring role; but that doesn’t mean he wasn’t favorable.

In THE Colossal Stride John Wayne plays Breck Coleman, a scout who guides a wagon deny of settlers 2500 miles, from the Mississippi banks thru the western wilderness to a remote valley beyond Oregon. All the while Coleman attempts to ferret out his best friend’s killers; he even finds time to romance the glowing pioneer girl Ruth (Marguerite Churchill) . One of the early talkies, this film is unruffled relevant today and contemporary enough in its sensibilities that you derive caught up in the chronicle, which is inviting and though-provoking and at times comical (I quite enjoyed the “Looks like barrels grow on trees around here.” sequence) . Even wait on then, most of the characters were already cliched, yet the sound performances pull it off - the shifty Southern “gentleman” who strives to tempt Ruth with talks of his plantation in Louisiana; the dirty, no-good have of a journey boss (Tyrone Power’s dad, by the map) ; Zeke, Coleman’s grizzled sidekick; the good-natured settler with the Swedish accent, brought in for rude funny relief and constantly bullied by his brutish mother-in-law. As Breck Coleman, John Wayne looks dashing in his buckskin outfit. His acting is glowing first-rate, even if the script calls for him to construct stilted speeches. When the settlers were wont to turn aid, here’s Wayne: “No, you’re not! We can’t turn relieve! We’re blazing a fling that started in England…” Even Duke’s natural acting style can’t invent that speech sound off-the-cuff. It’s also though-provoking to mark that, in his first Western starring role, John Wayne’s significant weapon is a knife, not a gun.

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Filmed in 1930, THE Broad Tear reportedly cost around 2 million to produce, and it shows in the product. This is an age-old western story: “Prairie schooners rolling west. Praying for peace - but ready for battle.” The film depicts these hardy settlers enduring backbreaking hardships and privations as they face murderous climates, unforgiving landscapes, Indian attacks, and dearth of water. This film offers gigantic spectacle and is as remarkable about the presentation of the frontier lands as it is the people. We are treated to several awesome sights here, as the caravan navigates risky terrain and fords treacherous waters. There are shameful losses, of human casualties and ruined covered wagons smashing against the face of the steep cliffs or being swept away like leaves on a raging river. Also worth taking in is the circle of wagons shootout with the Indians. In its sheer panoramic storytelling, this film cries out to be seen in widescreen. Remember, though, that this western is over three quarters of a century dilapidated, so it shouldn’t arrive as a surprise that the audio at times is inaudible or muted.

A bit about the failed experiment. In 1929 Fox Studios introduced the Fox Grandeur 70 mm widescreen process to the film industry. But, former to 35 mm sized pictures, most theaters abet then simply didn’t have the capability to present 70 mm films, and it would’ve cost too great to convert equipment. Factor in the Astronomical Depression, and the widescreen format unprejudiced never stood a chance. THE Immense Waddle never really stood a chance. Making the film truly was a massive undertaking, as each scene had to be filmed twice, for the 70 mm camera and for the 35 mm camera. To construct it even more painstaking, different casts had to also shoot the movie (respectively, for the German, Italian, and Spanish markets) .

Imagine the stones on Raoul Walsh, to grasp a chance on a nobody like John Wayne, who wasn’t even really an actor at the time. And imagine how powerful credibility and prestige Walsh lost when THE Great Stir flopped. It was equally devastating for John Wayne, as he was exiled into nine years of drudgery in B-western features and serials. In 1939, STAGECOACH came along and finally catapulted him to stardom. But, really, THE Substantial Drag should’ve done the job.

There are two discs here for THE Gigantic Trudge. Disc 1 has the mighty vaunted Fox Grandeur 70mm Widescreen Version of the film, with audio commentary by Film Historian/Author Richard Schickel and these very decent featurettes: “The Creation of John Wayne” which covers John Wayne’s early life and how THE Tremendous Slump impacted his film career; “Raoul Walsh: A Man In His Time” (as a homely trivia, you learn how he lost his legal scrutinize) ; “The Enormous Vision: The Grandeur Process” and “The Making of The Grand Hotfoot” (both intelligent) ; and a photo gallery. Disc 2 has the Academy Aspect Ratio 35 mm Burly Frame version of The Tall Slouch. I must mention that the bonus features on the dvds of the other included films consist of theatrical trailers and brief promotional movie spots. Shabby.

Thirty years later, in 1960, John Wayne starred in NORTH TO ALASKA, a rugged and boisterous comedy-adventure about worship and the Alaskan gold run. Having struck it rich in Alaska, George Pratt (Stewart Granger) sends his best pal Sam McCord (Wayne) to Seattle to score Jenny, George’s French bride-to-be. However, when McCord finds out that Jenny is already married, he ends up in the Hen House, a house of ill-repute, to drink his blues away. There, he meets the magnificent soiled dove Michelle (nicknamed “Angel”) who happens to be French (you contemplate where this is going? ) . A misunderstanding then crops up. Although McCord proposes to Angel on George’s behalf, Angel believes that McCord is the intended husband. And she falls for him. How do you say “awkward” in French?

This is the type of cinema John Wayne did occasionally to expose the world he can discover comedy straight in the gawk. In the same lighthearted vein as Hatari!, McLintock! (Authentic Collector’s Edition), and Donovan’s Reef, NORTH TO ALASKA is splendid laughable, in a robust sort of intention. Certainly, it gives the cast a chance to let their hair down. The film is bookended by two all-out, knock-down brawls, with plenty of laughs in between. Pop idol Fabian, here to lure in the teenaged girls, does his Rio Bravo (Two-Disc Special Edition) Ricky Nelson thing, even managing to assure a tune. Very gracious movie, this, with the Duke at his comedic cantankerous best. Capucine is pleasing.

1969’s THE UNDEFEATED is a sprawling chronicle starring the Duke and Rock Hudson. Place in the backdrop of post-Civil War, honest retired Union Army Colonel John Henry Thomas (Wayne), battle-weary and broke, gathers what remains of his primitive troops and head west to round up and then sell wild horses. There, they race into James Langdon (Rock Hudson), a venerable Confederate Colonel who is enroute to Durango, Mexico with his men and their families to construct a unusual originate. Threatened by marauders and Mexican rebels, the two expeditions are forced into an uneasy alliance.

- Mrs. Langdon (as Thomas returns from a palaver with a bandit, whom he was forced to ruin) : “You went out there to talk. Why did you have to shoot the man? ”

- Thomas: “Conversation kind of dried up, ma’am.”

THE UNDEFEATED may be the third best film here, but I liked it. It’s interesting enough and a bit dismal but also laughable. It lays out several rousing action-packed moments, yet it’s more than your typical shoot-em-up. I expected THE UNDEFEATED to be more somber and contemplative, what with the subplot about the North and the South, post-war. There is a bittersweet undercurrent to the film, and specifically coming from the Rebel side, as borne out in early scenes of the film. Hudson excels in scenes where he has to show restrained arouse and dignity in the face of abject defeat. But the film also holds a surprisingly jovial tone. There are even two treasure stories going on, one an interracial romance, the other keen Wayne’s more measured wooing of a Confederate widow. John Wayne and Rock Hudson reveal off some marvelous buddy chemistry here, and provide some humorous moments. Quit tuned for the cheery 4th of July fisticuffs, and fans of the musty L.A. Rams should be on the lookout for Merlin Olson (”Miniature George”) and, in a larger role, Roman Gabriel (”Blue Boy”) . Meanwhile, Lee Meriwether (only the best Catwoman ever) has a meager role, but Ben Johnson, that ragged hand, is as honorable as ever.

The film I like least in this collection is THE COMANCHEROS, which released in 1961. The area has a Texas Ranger (Wayne) spicy a gambler (Stuart Whitman) who is wanted for abolish. The two later join forces to foil a corrupt band of weapon smugglers called the Comancheros. Simply set aside, this film is forgettable. John Wayne is his usual exact self, but Stuart Whitman is not proper and has no chemistry with Wayne. This is nasty, considering the amount of scenes these two have together. THE COMANCHEROS is subpar John Wayne stuff; I unprejudiced don’t dig it.

JOHN WAYNE - THE FOX WESTERNS is a no-brainer, a must for admirers of John Wayne and fans of noble westerns. And three out of four films ain’t awful. It’s quite engaging to gaze the Duke metamorphose from acting infanthood (1930) to cinematic dotage (1960-1969) . The acting chops may not have been there at the initiate, but that huge presence was palpable from the get-go. Rating these products is so subjective. This one, I contain, merits four or five stars. And since I have such fond memories of THE Vast Tear and NORTH TO ALASKA, and even of THE UNDEFEATED, I’m gonna tumble five stars on this bunch of oaters. These films may not be considered the Duke’s most classic stuff, but they’ll do, yessir, they’ll do. Here’s to you, Marion Morrison.
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Stream Friends - The Complete Series Collection Movie Online

March 5th, 2010 by michaelmeyers1951
Stream Friends - The Complete Series Collection Movie Online. Stream Friends - The Complete Series Collection Movie Online.

Movie Title: Friends - The Complete Series Collection
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Friends - The Complete Series Collection is available for streaming or downloading.

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Since I peer all the questions seem to distress the logistics of the area, that is the main thing I will address in this review, since you would have to be a resident of another planet to not know the record tedious the series “Friends”. Suffice it to say it is a classic comical treatment of what I have always called the “post-college adolescent phase” of life, which is roughly the ten years immediately following college graduation as you strike out on your believe and try to catch your status in life. It is the time in life when you are likely to have the best health, the most freedom, the most disposable income if not necessarily the most total income, and the most fun if you are fortunate enough to have people to fraction it all with. This phase ends when you “resolve down” both career-wise and family-wise, and I always found Friends to track this time in life quite accurately and with both drama and substantial humor.

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As for logistics, this collection fits in a sturdy red box that’s less than a foot long. There are 40 DVDs containing 236 episodes that can be found inside. The Friends region honest has two pieces of the box that comes together. Flipping the top up exposes the guts of the area consisting of 6 books, with one for each Friend. Thus there are only 6 books to maintain the 10 seasons. Each book has a characterize of the Friend, a number (1-6), and the episodes you can procure in each case. The books flip initiate from the top, and each disc has its occupy pouch in the double-sided pages. Every disc has a different photo of the Friend, and they’re all inserted into the pouches so that the photo is visible as you flip through the book. The disc number and episode numbers are also visible. The contents of the discs are the same as the previous sets, but they have novel artwork.

Besides the packaging, there’s unprejudiced one thing to price for this release, that being the episode guide booklet. This 60 page booklet lists every episode with its synopsis and the disc you can earn it on. Of course, the bonus material is mentioned along with the disc it can be found on, and the bonus features include 25 documentaries. You’ll also procure the new treatment for the series written by David Crane and Marta Kauffman. The booklet, which is as wide as the box, can be found leisurely the DVD books.

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As for cloak format, it’s fat cloak, which is what Friends was filmed in. The fat veil ratio is 4:3, which is the same as 1.33:1. You can narrate in wide veil and nick off parts of the frame to manufacture it fit a extinct 4:3 TV, which is what is done with pudgy mask editions of movies. However, you can’t add stuff to a frame that was recorded in 4:3 and effect it widescreen.

There’s very minute of value here for someone who already has the season 1-10 boxes, and the book with the episode information is impartial an upgraded version of the booklets that near with the season sets. If you don’t already beget the 10 seasons then this is an easy arrangement to choose the demonstrate since it is a lot cheaper than buying each status individually. It’s also nicer than the box site released last year, which was the existing 10 seasons in a mammoth box. If you determine to replace your existing sets then you’ll be tickled to know the status takes up exactly the same amount of shelf region.

I savor this present but I am returning this box status and decided to order the individual seasons separately for the following reasons:

1) Many of the DVDs are contemptible and skip even when they are not physically scratched. I tested this with multiple DVD players which have never given me problems before. If you check other reviews this quality control shriek is fair popular with the DVDs from this box spot. From what I can express the quality control on the current season sets is remarkable better.

2) Disc 28 was missing and I got two copies of Disc 29 instead.

3) The corner of the collector’s box was broken/damaged when i received it.

4) The discs are spread out through 6 scratch-prone cardboard-like sleeves for each character instead of by Season. Cute, but i don’t want to have to start up a damn episode guide and peruse up the episode number to figure out which season i’m about to peek, while worrying about scratching my DVDs when taking them in and out of the sleeves.

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Download National Geographic: Sea Monsters - A Prehistoric Adventure

March 3rd, 2010 by michaelmeyers1951
Download National Geographic: Sea Monsters - A Prehistoric Adventure. Download National Geographic: Sea Monsters - A Prehistoric Adventure.

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Stunning, astounding, informative and spectacular! Comes with 4 pairs of cardboard glasses. Do NOT exercise those (they’re OK, but not mammoth though!), Secure plastic ones instead! Better fit, better plan! Turn all your lights off, spy that DVD at night! It’ll recall your breath away! I really enjoyed it! Highly recommend!

I first saw this movie in IMAX 3D and was truly impressed with a really profitable storyline and astounding 3D effects. When I saw this movie was released on Blu-Ray in 3D I was hesitant thinking the 3D at home would be a joke. I was proven otherwise. Even on the comfort of my couch the 3D is extraordinary. You detached salvage all the feelings of the shroud coming to life as well as objects projected so terminate you feel could be hit by them.
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The Weather Underground Streaming

March 1st, 2010 by michaelmeyers1951
The Weather Underground Streaming. The Weather Underground Streaming.

Movie Title: The Weather Underground
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The Weather Underground is available for streaming or downloading.

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In some ways, the group known as the Weather Underground (originally the Weathermen, an offshoot of Students for a Democratic Society) were more a symbol of 1960s radical idealism than a staunch revolutionary movement. Although they planted many bombs during a decade-long period, they never did anything that seriously threatened the government or power structure. Their goal, of course, was to spark a mass movement and inspire others to follow their example, but they remained essentially marginalized. The film, The Weather Underground does a trustworthy job at letting members of this group clarify their motives and, in some cases, misgivings about their foray into revolution. Directors Bill Siegel and Sam Green seem to be sympathetic with the movement, and most of the material is told from the point of conception of members. Leaders of the group Bernardine Dohrn and Bill Ayers have retained their radical views and are anything but apologetic about their past actions.

Most members of the group, despite the bombings, were committed to not harming people. This brings up a rather blatant omission in the film -Kathy Boudin, perhaps the group’s most noted member (for her participation in a robbery where a man was killed) is not mentioned at all. This was an miserable decision, apparently done to record the Weathermen as essentially nonviolent. To leave out such a well known chapter in the group’s history leaves a gaping hole. Unruffled, the parts that are included are engaging and give a glance into the idealism and naivete of these leftist radicals.

In retrospect, it is (at least from one perspective) a shrimp dim to peruse how runt long term enact the 1960s counterculture had on society. It seems that they were no match for the propaganda machine of the government and mass media. This film, of course, employs propaganda methods of its bear, as when brutal footage from the Vietnam war is shown. Propaganda it may be, but it does succor to almost trivialize the violence committed by the Weathermen compared with that perpetrated by the government it was opposing. The other side to this argument is that the fact that these radicals are level-headed alive and that a film like this has been allowed to be made is proof that America is not as oppressive as some would have us possess. Yet, this is only lawful to some extent; as the film explains, the FBI made a concerted (and mainly illegal) pain to ruin radical movements. There is also evidence that the government murdered members of the Unlit Panthers.

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How you react to The Weather Underground depends on your political and cultural perspective. Regardless of this, this film is a compelling look of a radical group and gives us a scrutinize into their world.

At the demolish of the 1960’s, the various student youth movements took a consuming turn toward the far left. Frustrated by their failures to close America’s involvement in the Vietnam War, a growing minority of student activist leaders whole-heartedly embraced Marxist dogma and began agitating for the overthrow of the United States government. There were a few niggling problems to help to first, such as taking over the leadership of Students for a Democratic Society (SDS), which they accomplished at the 1968 SDS national convention. An fascinating thing to remember about extremists regardless of their political leanings is worth mentioning at this point: radicals can’t earn along with one another. Views and positions choose on the rigidity of absolute, immutable truth, and anyone who opposes those views is the enemy–even if they’re on your side to launch with. Thus SDS almost immediately disintegrated into squabbling factions of increasing irrelevancy. The most necessary group to arise from the ashes of SDS were the Weathermen, an vulgar far left organization devoted to bringing about a Marxist revolution in the United States. The name of the group, as you probably know if you’re reading this, came from a Bob Dylan song.

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The Weathermen, later known as the Weather Underground after the members went into hiding, utterly failed to accomplish any of their objectives. Their first mammoth action occurred in Chicago when the group launched their believe version of Kristalnacht, called “The Days of Rage.” The Weathermen and their associates roamed through the streets of Chicago, breaking windows, fighting with cops, and generally making a tremendous nuisance of themselves. Surprisingly, this dinky action failed to rouse the citizenry from their capitalist coma, a realization that seemed to shock this merry bunch of pranksters. Angered by this failure, the Weathermen decided to pick up bomb making as a hobby. What followed were years of targeted bombings against such diverse targets as corporations, government institutions, universities, and other structures serving the “enemies of the people.” The Weather Underground suffered setbacks, too, like the accidental detonation of a bomb that killed radicals Ted Gold, Diana Oughton, and Terry Robbins in a Original York City townhouse on March 6, 1970. Smooth, the revolution must go on, so over the next several years the bombs continued to explode across the country as the Weather Underground continued to release written or tape recorded “communiqués” justifying their violent actions. By the early 1980s most of the members turned themselves into the authorities, exhausted from their years of living in hiding.

Why two paragraphs of monotonous summary about an irrelevant political group long gone from the American landscape? Because this absorbing documentary, “The Weather Underground,” covers most of this material in limited detail through a collection of vintage news reports, documents, film footage, recreations, and interviews. Made a couple of years ago and aired widely on PBS, which is where I saw section of it and wanted more, the documentary revisits many of the essential players more than two decades after the group dissolved. We win to scrutinize and hear Billy Ayers, Bernadine Dohrn, Note Rudd, Naomi Jaffe, David Gilbert, Brian Flanagan, and Laura Whitehorn reminisce about their days as revolutionary fighters battling for the soul of America. Moreover, interviews with conventional SDS leader Todd Gitlin, old-fashioned Murky Panther Kathleen Cleaver, and FBI agent Don Strickland provide a different point of belief on the activities of the Weather Underground. By listening to these people describe their experiences, we learn more about how furious radicals became over the slay of Unlit Panther leader Fred Hampton, about how the group helped Timothy Leary hurry from prison, and learn to marvel in apprehension at the massive comb over Impress Rudd sported as a young communist revolutionary.

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It’s not too difficult to survey where the filmmakers’ loyalties lie regarding the activities of the Weather Underground. Although careful not to effect them explore too wintry, it’s fairly clear the presentation aims to demonstrate these characters as admirable figures. They placed a baseball bat in Billy Ayers’s hands as he strolled down memory lane remembering the “Days of Rage” fiasco. While we could write off this stunt as sensationalism, it’s more problematic to quiz the questions establish to the various members. Why did Kathy Boudin’s name never advance up in the film? Probably because Boudin, unlike many members we stare here, did slay people in the name of a revolutionary cause. In the early 1980s, she joined the Dusky Liberation Army and took fragment in an armored car robbery that resulted in the deaths of two police officers and a security guard. The ghost of Boudin is apparently a predicament the filmmakers wished to avoid, although I should credit them for interviewing David Gilbert, a man currently serving a life sentence for his involvement in the same crime. It honest seems most of the questions don’t dig too deeply into the questionable practices of the Weather revolution. Then again, maybe they don’t need to; several of the ragged members appear as though they’re having problems coming to terms with their past behavior. That’s a hopeful tag.

Although I’ve had rough words in the past about these people and their inappropriate actions, I had a tough time disliking them in the film. A few of them, primarily Ticket Rudd and Brian Flanagan, seem like people you could sit down with for a few hours and have an consuming conversation about any topic. The commentary track with Ayers and Dohrn is well worth a listen primarily for the realization that even stolid commies have a self-deprecating sense of humor. But you also view that several of these people aren’t quite ready to repudiate their outmoded positions. I reflect it was Laura Whitehorn who said she would do it all over again if given the chance, a belief that is hardly encouraging. Give this one a search for, though. It’s mesmerizing.

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Buy Code Geass: Lelouch of the Rebellion, Volume 1 Blu-Ray

February 23rd, 2010 by michaelmeyers1951
Buy Code Geass: Lelouch of the Rebellion, Volume 1 Blu-Ray. Buy Code Geass: Lelouch of the Rebellion, Volume 1 Blu-Ray.

Product: Code Geass: Lelouch of the Rebellion, Volume 1
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Imagine a world where the Romans never conquered Britain, and Britain’s natives created a substantial world-spanning empire of their gain. Their latest subjugation: Japan, now called Sector 11.

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It’s an enthralling albeit unlikely understanding for alternate-world scifi, and it serves as the basis for “Code Geass: Lelouch of the Rebellion.” And the first few episodes of this intricate anime series recall us true into the action, with only a prologue of the Britannian Empire’s history as a buildup. And it doesn’t select long for the trustworthy anti-hero to catch stuff provocative.

Schoolboy Lelouch Lamperouge tries to benefit out when a convoy crashes reach his motorcycle — but then HE gets hijacked instead. As the callous Britannian military and the lethal Knightmares (hello, great mecha!) conclude in, Lelouch learns that he has inadvertently fallen in with a faction of Japanese freedom fighters. And he also finds that the convoy’s cargo is not poison gas as the rebels idea — but a peculiar green-haired girl.

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But when the Britannian soldiers note up, the girl gives Lelouch the power of Geass, which forces anyone who hears him to do as he commands. Even raze themselves.

So Lelouch uses his novel power to hijack one of the Knightmares, and assists the rebels (via radio) in a counterattack. But then he uses it to gather discontinuance to the Britannian prince Clovis, and reveals his honest identity — a presumed-dead Britannian prince, who wants to salvage revenge for the cancel of his mother and demolish the cruel Empire. He starts with Clovis.

But when Lelouch returns to his swank boarding school, he finds that the Japanese freedom fighters may be closer than he expected — and that due to his Geass eye’s limitations, he may have given himself away. Even worse, an musty friend of his — who has been piloting a Knightmare prototype — has been framed for Clovis’ death. Now Lelouch must accumulate a plot to build him without exposing himself…

“Code Geass: Lelouch of the Rebellion” is one of those wonderfully complex anime stories that has almost too grand position a twenty-minute episode. The very setting is gripping — a conquered and humiliated Japan that has been renamed with a number, by a cruel and venerable empire that surpasses outmoded Rome. Frigid plan, and one that is handled well.

And the writers of this series load on plenty of place, with lots of chess-like twists and countermoves. We’ve got exiled princes, mysterious powers, freedom-loving rebels, a cruel empire and a bunch of different factions with their hold motives. Not to mention a royal family that seems to deal with its feuds by killing each other. Surprisingly, the memoir never starts feeling overstuffed.

Thankfully after two episodes of battle, explosions and confusing mecha fights, the storyline relaxes somewhat. Although it tranquil deals with the rebels and Britannian retaliation, it’s more about Lelouch’s “regular” life as a schoolboy, and his friends and family. And you have some dry humor woven in there as well, such as Lelouch testing his Geass on a teacher, or Kallen interrogating Lelouch in the shower.

But “Code Geass: Lelouch of the Rebellion” does stretch its credibility occasionally. The mecha Knightmares seem oddly out-of-place in this extremely Anglo culture, and it’s hard to imagine that a hardcore political rebel would be “hiding” at a posh high school.

Lelouch is a glorious curious protagonist as well. He’s cold-blooded and lethal, but also incredibly luminous and sometimes quite compassionate — such as his sweet attachment to his petite sister. Yet as he gets fully enthusiastic in fighting the Empire, you fetch the positive impression that this anti-hero is objective getting started. Most of the supporting characters — including tough girl Kallen and Lelouch’s feeble pal Suzaku — aren’t yet fleshed out yet, but promise to be inspiring.

The first volume of the taut, twisty “Code Geass: Lelouch of the Rebellion” crams a lot of place into objective a few episodes, and it only promises to pick up better after this.

Code Geass is an qualified anime tv reveal and I contain it is perfect on dvd.There are few things terrible about Code Geass volume 1.First off the only main scrape that I can peek is the subtitles.The subtitles are always turned on everytime you establish the dvd in so you constantly have to turn them off and I have found that on the ps2 when you turn them off with the main menu it doesn’t work and you have to exhaust the analog stick.The main plight though with the subtitles is that they are very distracting.First off the subs are a precise luminous green color which tends to distract from the video and they are always Italicized.Also when the subs are on if there happens to be any japanese text on the shroud bandai unprejudiced set aside the english text over the japanese text and you can calm behold the text between the letters.On the satisfactory side of volume 1 there is a textless opening but not a textless ending(it’s on the second volume) and a short narrate drama episode which explains some of lelouches past.So overall this is perfect for the english version of the episodes but if you like to peruse both I would stick to watching the japanese version online.
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The Green Berets Movie Streaming

February 22nd, 2010 by michaelmeyers1951
The Green Berets Movie Streaming. The Green Berets Movie Streaming.

Movie Title: The Green Berets
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The Green Berets is available for streaming or downloading.

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As others have mentioned, this is perhaps the only pro-war film ever made about our involvement in Vietnam, either at the time of the war or since.

Pretty worthy these days, nobody espouses a pro-war stance on the Vietnam conflict. It was not a “first-rate” war, after all, and the war will always be section and parcel with the agony of America’s social chaos in the unhurried 60’s and early 70’s. However, at the time, the social battle lines were well defined between the peaceniks and the hawks; those against the war, and those all in favor of it. Without the thirty-plus years of hindsight to befriend them place this conflict in perspective, the hawks were attractive gung-ho. Likewise, the the peaceniks, who idea that if we fair “treasure each other” everything would be alright, looks dazzling naive and childish. If only the world were so simple.

Like the war, this film engenders strong feelings in those who seek it. The DUKE was a known hawk, and you can view it shine through in every line, and in every scene. Like most hawks at the time, I suspect that The DUKE simply understanding Vietnam was unprejudiced like any other war (most likely, World War II), and it was incomprehensible to them that anyone would be against it. The film, in turn, reflects the hawk viewpoint.

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In other words, you could substitute the Vietnamese with the Japanese in WWII, and the film would be more or less the same (marvelous, upstanding Americans vs. substantial abominable empire) . The retract of the enemy general is pure WWII melodrama. The character of Petersen, the “scrounger”, is also a stock character from a WWII movie. The staging of the action, the commando raid, blowing up a bridge, etc., all cry WWII.

DUKE co-directs, and despite being filmed in Georgia (which looks nothing like Southeast Asia!), the results are really comely splendid. The raid to pick the enemy general is comic, but tense and attractive nevertheless. The characterizations are solid. The film flows nicely, and isn’t too long or too short. The cinematography is workable, and at times, even impressive. There’s plenty of action, too!

When you view DUKE react to the child running from helicopter to helicopter looking for Petersen, you cannot attend but have respect for this film. Certainly one of the best endings in American film history follows. Politics and anti-war sentiment of today’s PC society aside, this is a tall war film that honors the best of the best; the Green Berets.

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Let me choose a moment and say a word or two about David Janssen’s role as George Beckworth, the reporter for a left-wing and anti-war newspaper. The character is a itsy-bitsy too certain, and at first, a small too strong on the anti-war sentiment. His conversion was a petite too predictable, but the handling of his conversion to pro-war is very well-handled. Ultimately, I deem it was a believable transformation, and this is due entirely to Janssen’s talent. In the hands of another, less skilled actor, the Beckworth character could have been a titanic sore point, but Janssen makes Beckworth a level-headed force, a wall of anti-war sentiment needing to be erroded away by the reality of the state he finds himself in. In many ways, I mediate Janssen’s underplayed come for Beckworth makes him seem more valid, and ultimately sells the character. It helps sell the movie too, despite our recent perspective on the war.

Appearing in supporting roles are Jack Soo (Slash Yemana on “Barney Miller”), George Takei (Sulu on “Star Breeze”), and Bruce Cabot. Cabot had starred in a mountainous many films, and “The Green Beret” is one of his last. He was a current DUKE co-star, appearing with DUKE in “Hellfighters”, “Stout Jake”, “Chisum”, “The War Wagon”, “In Harm’s Contrivance”, “McLintock!”, “Hatari!”, and others. Cabot is probably most well-known for rescuing Fay Wray from King Kong. Also on hand is The DUKE’s son, Patrick Wayne. Patrick appears as the commander of a Seabee team, following in his father’s footsteps (DUKE starred in the distinguished homage to the outfit, “The Fighting Seabees”) .

DUKE fans should try to locate a copy of the video “No Substitute For Victory” (available on this station), in which DUKE hosts a right-wing documentary gaze at our reasons for fighting in Southeast Asia. Watching this documentary after the film will give the viewer modern insights into the thinking of the hawks at the time, and their area during the Vietnam conflict.

If you ever read Gustav Hasford’s “The Short-Timers” (which “Paunchy Metal Jacket” was based on) you know how he felt about this movie: “Let’s peer the Duke and Mr. Sulu karate-chop Victor Charlie in a Kodicolor fantasy about Vietnam.” In other words, he belief it was bunk. So does everyone else on the left, who have bought into the sage that Vietnam was a purely guerilla war and that the human-wave assaults employed by the NVA/VC on Col. Kirby’s camp in the film would never have happened in dependable life. In point of fact almost 90% of the fighting in Vietnam was of the traditional type in the Central Highlands or the valleys (”We Were Soldiers”) while only 10% of the troops were employed in the rice paddies you peek in movies like “Platoon.” Whenever the NVA fought out in the inaugurate, a la the Tet Offensive, they were well and truly beaten, but their leadership was ruthless and understood that by trading 5 Vietnamese lives for one American, the U.S. will to fight would eventually smash. They knew the American public had only tepid back for Vietnam and would not gather the losses. The result, of course, we all know. Hanoi Jane what she wanted and so did Uncle Ho. Too dreadful Jane didn’t go support in say, 1975 and exercise some time in a re-education camp. They could have taken pics of her in a tiger cage, eating bugs and rotting from typhus.

If you are reading this you probably know the sage of the movie.

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John Wayne’s Col. Kirby and his elite Special Forces “A” Team (no, not the one with Hannibal and Face and B.A. Barracus) is sent to Vietnam to place contaminated camps which offer protection to the local farmers from the murderous Viet Cong (whose crimes against their absorb people are well documented here) . The soldiers relate the locals how to fight while providing basic medical care and 20th century improvements to their primeval device of life. There is the usual great John Wayne type battle as the VC try to overrun the camp, followed by a commando raid deep into enemy territory, and a tragic-heroic ending. But the movie is more than the sum of its parts. It is not mere entertainment, it is personal propiganda, designed to expose the Duke’s argument for why America was fighting in Vietnam at all. The only failing is its sappiness and jingoism, which do it easy for opponents to ridicule. But making fun of it doesn’t prefer away the fact that the Duke’s argument was based on something he is rarely credited for — human decency. What “good” did we have in Vietnam? I guess the same “honest” we had to land on the beaches of Normandy. We had no “apt” at all — it was objective the “just thing to do”, to befriend a terrible government (South Vietnam) against a powerful worse government (North Vietnam) that mature methods like mass killings of teachers, civil servants, nuns, missionaries, and village chiefs to destabilze the South and forcibly unite the country. You can argue about the legitimacy of taking sides in a civil war all day, but any country that uses methods like burying people alive and raping women to death as a matter of military policy probably deserves to be opposed, yes?

Anyway, let me steal a moment to say I Admire THIS FREAKIN’ MOVIE. Growing up, honorable feeble Washington D.C. Channel 20 (remember when you only had ABC, CBS, NBC, PBS and your one local channel? Channel 20 was ours) played this movie, (along with “The Battle of the Bulge” and “The Bridge at Remagen” and some other classics) about once every other day. Even the conception of it brings a smile to my face. Here was a guy, John Wayne, who had the guts to manufacture a film this flag-shakingly honest skim at a time when patriotism was growing unfashionable and millions of people were abandoning and spitting on the ideals that he embodied — which, by the plot, a few of us unexcited own just. As a movie, “The Green Berets” has a hard ideology of anti-communism and shows the newfangled Special Forces as a sort of elite brotherhood consecrated to fight against it. I assume a lot of the disfavor directed against this movie comes from the surity of Kirby’s (meaning John Wayne’s) beliefs. They are rock-solid and not up for debate or negotiation. He understands what will (and did) happen to Vietnam if the North wins the war, and fights bitterly to prevent this from happening, while simultaneously trying to come by over a stubborn journalist who has legitimate doubts about our involvement. No request, this movie is jingoistic and predictable, a Vietnam war movie packed in WWII casing, but who cares?
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The Rugrats Movie Streaming

February 19th, 2010 by michaelmeyers1951
The Rugrats Movie Streaming. The Rugrats Movie Streaming.

Movie Title: The Rugrats Movie
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The Rugrats Movie is available for streaming or downloading.

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As I write this review I can’t back but remember when I loved the Rugrats. It was once my common indicate in television as a kid. And when the movie came out in theaters I was more indignant than anyone would’ve imagined. I was a broad fan. The TV indicate has decreased in quality, but the movie mild remains solid. It introduced a original character to the series, and to this day calm remains the greatest adventure that the rugrats have gone on.

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Didi has recently found out she’s pregnant, and that means Tommy is getting a baby brother. When Tommy’s fresh brother Dil is born, things around the house change. Dil begins to receive a bit more attention than Tommy, and he’s always loud and ghastly… the method Tommy aged to be when he was first born. Phil, Lil, and Chuckie can’t stand him and neither can Angelica.

In the meantime, Stewie has made a fresh invention. A Reptar mobile (Reptar is the Rugrats version of “Godzilla” and the babies’ hero) . When Stu and Didi head out for a while, they leave the kids home alone with Grandpa. If you’ve watched the explain you know Grandpa is not a salubrious baby sitter… he always falls asleep, and that’s what he does here.

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The babies ogle this Reptar mobile and determine to hop inside and play around. Angelica (the rambuncious three year aged brat) is trying to look her demonstrate and so she is very annoyed. She gives the babies the boot (literally) and the Reptar wagon suddenly slides out the front door. Tommy has petite opinion how to control it, and neither do his friends. Phil and Lil, however, don’t explore it as such a poor thing. To them it’s a chance to purchase new-born baby Dil abet to the hospital.

With the babies gone, Angelica can finally obtain peace… except there’s a quandary. When she gave the babies the boot they took her celebrated doll Cynthia with them! Now Angelica decides she must derive them, and so she saddles up the family dog, Spike. And Spike ends up running out the front door… dragging Angelica along.

The result? The babies getting lost in the forest far away from home. When the parents salvage out, they go on a mammoth search for the babies.

I hiss what got me to really like this movie was the adventure of it. The limited imagination of these babies is unbelievable! The movie even begins with a limited rendition of “Indiana Jones” as they’re actually exploring thier house. But when they really AREN’T in a space that’s their home, you can survey fair how doughty they salvage.

Never mind how humdrum the parents are (they NEVER learn from leaving the babies with Grandpa), the adventure is provocative. Especially when Phil and Lil manage to let a bunch of monkey’s capture Dil away. Soon Tommy really IS the one responsible for his brother. The movie is silly in many places, and it’s songs are enlightening. Any child will savor this movie to death.

Unlike it’s sequel, the babies accumulate into some wretchedness that isn’t too far beyond their control. By that I mean, the Reptar mobile is objective a wagon, and not some Tremendous Gargantuan THING DESTROYING THE CITY! This adventure is more Genuine than in the sequel, “Rugrats in Paris”.

And while Dil isn’t the most likeable character, it’s unrealistic to judge he can do as considerable as the other babies can (he can’t skedaddle, mind you) . It would encourage if Dil was as adventureous as his brother, but considering he’s only a few weeks musty, we can find by.

The animation is top notch, and very lustrous and vibrant. Powerful better than the television expose ever was. It’s fair astounding.

If there were problems I’d say it’s this: It is certainly not a movie for grown ups. If you grew up with the Rugrats as I did, you will probably like this movie. However, grown ups who didn’t grow up with the Rugrats, will be annoyed by their kids loving to gaze the film. It is clearly aimed at the younger audience.

It’s a gargantuan movie. Especially for your kids, and especially for nostalgia. This was an unbelievable movie eight years ago, and remains a agreeable movie for your kids today.

I savor Rugrats its one of my celebrated cartoons and I even assume its better than The Simpsons which is also a safe cartoon! The Rugrats movie the first of the theatrical movies is not as genuine as the fresh Cut cartoon but it is handsome cute and I hought that I woudn’t like the original character Dil but even though he is not as advantageous a chracter as Tommy, Dill is ok. I agree with the last reviewer that Kimi who was introduced in the second movie is not a fine Rugrats character. I applaud that the makers of Rugrats decided to add an Asian character but why did they have to acquire her so irritating? And she is a copycat character too, she seems to me to be Tommy, Phil, Lil and Angelica all rolled into one natty annoying person and instead of adding Kimi I wish they had unprejudiced made Susie a more weak character or had made Kimi less rank!
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