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Who is Godzilla’s greatest enemy? While some may vote for the three-headed King Ghidora or the soaring Mothra, to me that honor will always rest on MechaGodzilla, the star of no less than five Godzilla films, more than any other monster. Here, in the 1974 “Godzilla vs. MechaGodzilla,” we have the first appearance of that mechanical menace.
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Filmed as a 20th anniversary celebration of Japan’s most celebrated monster, “Godzilla vs. MechaGodzilla” is a bloody and violent entry in the Godzilla series, with MechaGodzilla being a merciless killer, tearing the dinosaur-like Angirasu’s jaw in half in the opening battle scene, then stomping off with bloody hands. The vanguard of an invasion, and controlled by a clan of ape-faced aliens from outer place, MechaGodzilla rampages throughout the downhearted island nation of Japan, and Godzilla is powerless to halt him. In order to end the mechanical panic, an old, sleeping deity, King Seesar, is awakened and brought into the fray. Together, Godzilla and King Seesar withstand the assault of missiles, ray blasts, and a host of other weapons in the arsenal of MechaGodzilla.
If you like Godzilla films, than you stunning great know what you are getting yourself into. Substantial stompy fun, with giant monsters treading on toy tanks and beating the heck out of each other. “Godzilla vs. MechaGodzilla” has all of these archaic delights, with a bit of a harder, more violent edge than the more-campy releases. It is unexcited incandescent, Sunday morning fun.
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This DVD release is one of the best available Godzilla flicks on the US market, but quiet not complete. The Japanese language track is included, which is an absolute must. This is an 85 small version, rather than the bulky 97 minutes of the Japanese release. However, it is gracious to the unique US “Godzilla vs the Cosmic Monster” version, which ran 80 minutes.
This movie has everything a expedient Godzilla movie should have–monsters, fights, spies, scientists, aliens, the works. You don’t even have to wait until the ruin of the movie to explore a fight because the action starts early in this one. First, an broken-down cave is discovered with mysterious artwork on the walls and a fresh statue in a cleft, and a young woman has a prophecy that a monster will near to end the earth. As if on cue, Godzilla pops up, but he is immediately attacked by Anguiras. Moral away, you know something’s fishy because Anguiras is Godzilla’s sidekick. This Godzilla is ruthless, and I am peaceful upset about the injury unpleasant Anguiras receives at his hand. Before long, Godzilla shows up, the two Godzillas fight and the impostor is exposed as a cyborg. Godzilla takes a sparkling sterling beating and disappears, but MechaGodzilla is also forced to retreat and survey repair. Aliens are controlling MechaGodzilla, but they need the befriend of a shimmering Japanese scientist to accomplish the critical repairs. They retract the scientist and coerce him into helping them. Meanwhile, the beneficial guys are running around trying to figure out the meaning of the queer statue found at the originate of the movie. They gain out that King Seesar, a guardian monster of sorts on Okinawa, is portrayed on the statue, so they must rush to awaken Seesar to fight MechaGodzilla because they do not know if Godzilla is composed alive.
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The battles in this movie are quite obliging. MechaGodzilla has everything but the kitchen sink in his arsenal, and he even flies. King Seesar is a petite peculiar, basically looking like a giant dog of some sort mixed with who knows what. The explosions, laser weapons, fiery breath, and general mayhem are very noble, and many models are blown to bits. One of my celebrated parts, though, is the song that is sung to awaken King Seesar–I have no concept what the words mean, but it is a spacious song I sometimes listen to fair by itself. Interestingly enough, I rob the song is in Japanese, yet it is collected dubbed (and rather badly in places) .
In conclusion, this is easily one of the best movies in the unique Godzilla series. If you don’t appreciate this one, you almost surely won’t relish any of the others, so this is a favorable litmus test for Godzilla newbies.
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Adam Vazquez