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In a life filled with uncertainty, one thing is for clear…once Hollywood latches onto a expedient thing, it won’t let it go…a prime example of this is Jack Finney’s “Invasion of the Body Snatchers” epic, popularized by the 1956 Don Siegel sci-fi film classic featuring Kevin McCarthy. Since then, there have been any number of remakes or films based on the tale, most favorite probably being the 1978 version featuring Donald Sutherland, which I enjoyed, but not quite as noteworthy as the recent…a few years later a group of writers, including Larry Cohen (It’s Alive, The Stuff) and Stuart Gordon (Re-Animator, From Beyond) came up with the film Body Snatchers (1983), directed by Abel Ferrara (The Driller Killer, King of Unique York), and featuring Terry Kinney (Cruise Away Home), Meg Tilly (Psycho II, The Expansive Chill), Gabrielle Anwar (Scent of a Woman), Billy Wirth (The Lost Boys), Forest Whitaker (Platoon), Christine Elise (Child’s Play 2), and R. Lee Ermey (Burly Metal Jacket) …by the blueprint, before I forget, there’s a film scheduled to be released in 2006 titled The Visiting, featuring Nicole Kidman…here’s the synopsis from The Internet Movie Database…’As a Washington psychiatrist (Kidman) unearths the origin of an alien epidemic, she also discovers her son might be the only device it can be stopped.’ Sound familiar? It should, if you’ve seen any of the previous `Snatcher’ movies I’ve mentioned, proving that in Hollywood every thing faded is current again…and again…and again…
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As the legend begins, we meet the Malone family…there’s Steve (Kinney), who’s the father, Carol (Tilly), his wife, Steve’s daughter Marti (Anwar), and her younger brother Andy…seems Steve’s 1st wife, who was also Marti’s mother, passed away a while serve…anyway, the family is on the road, as Steve, a chemist, works for the EPA, and is touring military facilities in the south to ensure noble storage and handling of all the obnoxious biowarefare chemicals they claim they don’t have. After Marti has a exclusive encounter in a gas area restroom (it wasn’t with George Michael), the family arrives at the depraved and settles into their modern quarters. Things seem normal enough, but strangeness settles in, as more and more people seem not actually to be living, but going through the motions. Now one might chalk this up to the military and its tendency to squash individuality in general, but it’s something else, something more, something alien…and it has something to do with the slimy pods being pulled out of a nearby swamp during the night. Shapely soon the inferior is divided into two factions, normal people and spore people (the aged dwindling mercurial) and the ominous serenity devolves into obscene chaos…fair remember, they obtain you when you sleep…
You know what? I enjoyed this movie…I also enjoyed the unique release and the one from the leisurely 70s. The main inequity I noticed was that while the previous two tended to allotment many similarities (the main being the overwhelming sense of paranoia inherent within the fable), this one kind of went off it its bear direction, choosing awe and action over suspense, with focus given to Anwar as the lead character. Perhaps they were trying to appeal to a younger audience, I don’t know, but the overall result was better than I would have conception. The budget may not have been great, but I deem what they had they made safe employ of…at the very least the filmmakers knew enough to bring in a very solid cast who worked well together. I don’t know that any one performer stood out above the others, but they felt professional and maintained a sense of belonging in the account. I did feel a few of the characters got slighted, especially the one played by Forest Whitaker, but oh well. There were a couple clichés running about, like General Platt’s (Ermey) rebellious daughter, played by Ms. Elise and the ravishing, hero chopper pilot with the perfect hair, played by Wirth, but their roles ended up being relatively minor in the overall method of things. Ferrara keeps things attractive with some respectable shocks, despite the fact the action didn’t really kick in until about 45 minutes into the chronicle. The one gripe I would fabricate, if any, is that the film ended too soon, running about 87 minutes. It felt like there was more legend to be had by the raze, but I dispute it’s better not to out discontinue one’s welcome. I conception the gooey effects were friendly, the spaghetti-like tendrils emanating from the pods especially creepy. The one scene that stands out in my mind is when Marti is taking a bath, and dozes off…oh looky there…someone stuck a pod above the ceiling tiles. Hey, something’s bright…ewww, here arrive some creepy crawlers, searching for a host. You know, I don’t reflect whoever effect that pod up there had place worthy opinion into placement, as even I would have know that once the pod started developing a replicant, the weight of said doppelganger would have been too distinguished for those measly tiles to handle…but, it did provide for a harmful small sequence. And here’s nekkid lowdown, if you’re enthusiastic…Ms. Anwar does bare her teeny tots twice, the second time more so than the first. While delectable, I did feel a slight discouraged specifically because her character was supposed to be not of drinking age, and let’s face it, Anwar is the definitive waif. Even if her character was supposed to be eighteen, she quiet looked all of about fourteen (Anwar was about 23 at the time the movie was made) . The movie also features what appears to be a chubby frontal nekkid shot of Ms. Tilly, but the credits whine a body double was employed…oh well, boobage is boobage…there is one sequence that was particularly droll (to me, at least), reach the slay, featuring a boy and a helicopter. If you’ve seen the film, you know what I’m talking about…if not, well, I’m not going to say anymore than I already have…overall I idea this film an spirited mix of science fiction, fear, and action, and something along the lines of what a director like John Carpenter might keep out, only noteworthy more toned down.
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This Warner Brother’s DVD release features both the tubby and widescreen versions, the widescreen being 2.35:1 anamorphic, both looking very distinct and racy. The Dolby Surround 2.0 comes through very well. As far as special features, there are none, as the film starts playing immediately when inserted into the player. You can bag an interactive menu camouflage to appear displaying scene access and language options, but nothing else.
Cookieman108
If you liked this film, I’d suggest another film called The Hidden (1987) featuring Kyle MacLachlan, Michael Nouri, and Claudia Christian and/or The Puppet Masters (1994), featuring Donald Sutherland, Eric Thal, and Julie Warner…both are underrated science fiction films worth seeing.
I’m the first to accept bugged when they remake the classic — and this is the second reworking of an new which stands as a masterpiece of both science fiction and scare. To be positive, this is a retread of a scenario so familiar that the reference ‘pod people’ has entered the language as a recognizable expression. That said, this is simply a intelligent terror film. Miles above the thing done in the ’70s, this film is tight, building tension in each scene and never letting loose. I live for the experience of recommending a class act most folks have probably not heard of. This is one of those pictures.
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