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March 14, 2010

Watch Everybody Hates Chris: The Final Season Online

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This is the last and final season of Everybody Hates Chris. I can’t hold it’s advance to a slay so lickety-split. This season is comical as ever and level-headed filled with lots of laughs from all the characters. The quality of the episodes are tranquil qualified and presented in widescreen format as the previous seasons were. You net some amusing bloopers and gags from the bouns material and late the scenes of this season episodes. So this point to has finally approach to a kill, but I maintain it went out strong and blissful to occupy them all!
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March 13, 2010

Watch The Last Days of Pompeii Movie Online

Watch The Last Days of Pompeii Movie Online. Watch The Last Days of Pompeii Movie Online.

Movie Title: The Last Days of Pompeii
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I first saw this movie as a child in the 50’s on TV and fell in savor with it. My mother would let me chop school in order to spy it on tv( and my family was not particularly religious), along with a number of others like Cyrano de Bergerac, Androcles and the Lion, Impress of the disagreeable, and The High and the Considerable, and Captain Sirocco. I combed the tv guide once a week for classics like these. The redeeming quality of all of the movies I become attached to is “nobility”. Aside from the awesome eruption of Vesuvius, and awesome it was for its day, and as thrilled as I am about the special effects and the disater movie perspective ….the chronicle is simply …Sublime.

Preston Foster, in typical post mute era acting style, plays Marcus - with sail and bravura. Marcus is a simple, humble man. He is completely tickled with his life as a blacksmith and has a wife and son he cherishes, everything any man could hope for. He is speedy reminded of the foolishness of his win on life by a jaded slave dealer and a agreeable but skeptical roman patrician who gives his son a gold coin. Marcus and his wife Julia conclude shop for the day and spot out to celebrate the windfall by purchasing a ball too large for the runt win of his limited child. The fates intervine… the ball rolls into the street and Julia and the infant are over hurry by a speeding chariot. So the saga begins, brilliantly, with such irony, the gift and joy of a gold coin and a current toy leading to a tragedy as Marcus’ wife and child both die. Marcus now impoverished, and a broken man…..having given up his ideals and sense of morality to fight in the gladitorial arena, as the only arrangement to gather the money he needed to try and derive medical benefit for his family and with nothing left of his traditional life to live for embraces a modern opinion of life and the Gods he once loved. A world weary and newly cynical Marcus becomes a Gladiator commenting “it’s easy to fetch money. All you have to do…is Raze”. Thru success after success in the gladitoral arena he becomes a celebrated man, a formerly detested slaver, and thru’ clever manipulation of events and opportunities, ultimately head of the Arena itself. During one of his triumphs in the arena he meets the son of a fallen foe named The Wolf. Distraught at the appearance of the young boy waiting for his fathers victory he reluctantly asks if the boy knows what happens to people when they die. Marcus overwhelmed by guilt and reemorse asks the child if he would like to become his son. The child agrees and a unusual life centered around this child emerges as he lives his life now to fabricate up for taking the life of the boys father and to give the boy every opportunity in life. While in Judea the young boy is struck down in an accident and he is healed by the Christ, a moment of passion in this film that foeshadows Christs have travails later in the movie, and the dilema set aside forth to Marcus to intervene. One of the hallmarks of this film is Pontius Pilate, played with sensitivity, grace, and considerable understatement by the spacious Basil Rathbone. This one of the truly grand cramped parts in movie history. Totally unforgetable and worth the see of the film, if for no other reason.This film goes on and on with jewels of philosophical wisdom from a helpful Greek tutor, plentious action, and an shimmering and engrossing perspective on the spiritual defeat and then reawakening of the comely and earnest Marcus. Who in the demolish makes the proper decisions for the just reasons. I NEVER gather tired of watching this movie! It is one of my top 20 all time favorites!

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Produced and ghost directed by Merian C. Cooper, THE LAST DAYS OF POMPEII is a morality account loosely based upon minor events in Sir Edward George Bulwer-Lytton’s fresh THE LAST DAYS OF POMPEII. The film stars Preston Foster as Marcus, a simple blacksmith of Pompeii. Marcus is a blissful man. He has a shapely wife and an energetic young son. Though the family doesn’t have great money, Marcus is joyful at his chosen career and what he has is enough. The man in charge of the arena thinks Marcus would execute a formidable gladiator, but he can’t seem to convince him to abandon his job as a blacksmith for more money. Marcus’ wife and son are tragically hasten over by a runaway chariot. Unable to pay for medical care because of his modest means his family dies. The loss of his family fills Marcus with despair and fuels an ambition to win wealth. Thus the second act of the film begins as Marcus begins his unique life as a gladiator.

Marcus becomes the finest gladiator in the land, an unbeatable opponent. After one fatal match, Marcus discovers the boy of his fallen foe. The child is now an orphan. Reminded of his bear slow son, Marcus adopts the boy as his occupy. To pick up the boys’ future and to insure that he will not have to fight in the arena, Marcus begins taking suspicious and unsafe assignments that pay him extremely well and support him become the Master of the Arena itself. While on one of these assignments to Judea, Marcus’ son, Flavius is struck down in a freak accident. The child is healed and that encounter changes the boy’s life forever. Marcus is grateful, but he is unruffled noxious by the greed and ambition birthed from the exertion of his wife and first son. Years later it is revealed that Flavius has been helping slaves and gladiators race from Pompeii. Marcus is crushed, but loves his son so deeply that he will do everything in his power to protect him. Then the volcano erupts and judgment comes.

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Hoping to capitalize on the success of KING KONG, Merian C. Cooper invested a big deal of time and money into this record. Watching the film one can voice that it was an expensive recount to construct (at the time) . The sets are lavish and are quite reminiscent of a Cecil B. de Mille represent. The movie has some of the same religious overtones and morality of a de Mille record, too. But a Cecil B. de Mille recount this is not. The screenplay is basically a morality play forced into the usual three-act structure. Foster does a decent job in his role, but he and everyone else in the cast is outshone by Basil Rathbone who portrays Pontius Pilate. Rathbone brings an element of humanity that is often lacked in other portrayals of the illustrious leader. He illustrates that arrogance of Pilate, but tempers it with sensitivity and a tortured conscious over his dealings with Jesus.

When it was initially released, THE LAST DAYS OF POMPEII was a flop and the film had to be re-released several times (often as a double bill with King Kong) in order to accept serve its cost. Over seventy years later, the movie hasn’t changed powerful. It level-headed comes off as being an average movie with one outstanding performance. For film buffs it’s worth watching for Rathbone’s performance. Anyone who likes enormous spectacle films might savor it as well as anyone who likes old-time Bible-type films.
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March 12, 2010

Watch Blindness Online

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{Attention - The following review contains spoilers so be warned.}

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This movie is not for everyone and I’m in the camp of “It’s not for me.” I wasn’t really bothered by unexplained subjects in the movie such as - where the blindness came from, why only one character unexcited had gaze, what country/city the movie was taking situation in, even the initiate ending quality of the last scene didn’t faze me (though I reflect these things might annoy other viewers) . I unprejudiced didn’t accept this movie necessarily notion provoking or exceptionally well done simply because of it’s depiction of a group of people (most likely a metaphor for larger society) gradually succumbing to desperation after being effect and left in sinful conditions. I’ve seen this kind of sage line done other times . . . (Lord of the Flies comes to mind) and I never bag the fascination. Fair because a yarn is shadowy and depressing doesn’t construct it magic gold for me.

Part of my abominate for the movie stems from what I found to be scenes done more to shock the unsuspecting eyes of the audience then to some how protest the narrative line better. For instance I had issues with the graphic rapping of the women (which seems to be a celebrated accomplish of victimization writers effect in these movies) . Unbiased the scene of the women coming encourage from ward 3, archaic, beaten up, and carrying the naked dumb body of one of the women is enough, in my plan, to rep the point across. But the director felt the need to explain as mighty debasing and violence done to the women as he could net away with. (From my view the rape scene was meant to be longer but some female audience members in the 1st screenings of the movie were getting up and walking out so the director edited it - [...]Another philosophize that bothered me was the blueprint the film was directed. Every glare or white surface dwelling shown in the film suddenly became hyper-white . . . meaning the whiteness unbiased got over exaggerated. Some people may secure that a nice creative touch, but I found it annoying after awhile suitable along with the unfamiliar blurring and awkward camera angles.

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Notwithstanding, some of the site details left me sitting there like “I collect the feeling they’re going for a realistic reach with this movie but . . . Do they examine me to maintain this? ” For Example -

-Why would a guy who suddenly goes blind while driving opt to honest go home instead of going to the hospital upright away?

-I impartial can’t peek a person who is standing in the middle of a gross promenade, who looks reasonably sane, pleading for benefit and getting ignored by everyone around him. Not even the drivers of the cars that are managing to avoid running him over call out a simple “Acquire the hell of the street!” to him.

-Why would the guards at the facility who have been talking to the blind people all along (though primarily through a bull horn . . . ) suddenly study a stray man leave a line and rather than say “terminate where you’re at” or even “win help in line”, they don’t say a word but determine to shot the guy instead?

(I feel like there was this straining legal from the beginning of the movie to explain this “peruse . . . inspect how cruel humans are? ” theme even before societal structures broke down and conditions deteriorated into madness.)

-Oh and like another reviewer mentioned - fair how many bullets was in that gun being waved around by the King of Ward 3? There was never any mention that the King had more ammunition. There was never any scene of him or Mr. Blind-from-Birth reloading the gun. Yet they impartial kept firing away like they had a magical gun that never ran out of bullets.

-And I have to say, if these people in the facility were on the edge . . . at one point willing to do anything for food, why revolt and killing the tormentors never seemed like a reasonable option is a mystery to me. The oppressors only had one gun and the two other wards attach together theoretically out number Ward 3. I’m thinking Ward 3 could have been over powered with enough reasonable planning. But I guess such action would not go with the overall running theme of showing humans as harmful, pathetic, and worst than rabid animals.

But anyway, if you honestly savor watching movies that are “wicked, grisly, [and] violent” or like movies that result in “conversation about the rank nature of humanity in the face of adversity” than this movie would be for you. Some of the other issues I had with this movie probably wouldn’t bother you. But for the rest of us I guess we’ll stick to something else.

Jose Saramago’s Blindness is a bright masterpiece on human blindness. The theme of blindness is an allegory. This is not the sci-fi film some people (that didn’t read the book, might I add) plan I would be, hence, the transient blindness suffered by the characters needs not be explained like a zombie pandemic.

Having said that, this movie is a straight, scene to scene adaptation from the book, and that’s it’s biggest weakness. Noteworthy of, if not absolutely all of Saramago’s prose and poetry is lost, creating an austere and rustic feel. It doesn’t leave certain the fact that you’re watching a literary event. It’s not the yarn you impart it’s how well you insist it. And this retelling leave worthy to be desired.

Screenwriter takes the safest rush, from a to b leaving all the subtext and commentary of the human condition, which, is the book’s main pain.

Also, production wise this movie is okay and nothing more. The actors are all top notch but the camera prefers to point at the production develop and blur randomly and purposeless here and there. The attention given to the film’s peer is definite from the very commence but a dirtier peer would have fitted it better. The white backdrop that affects the entire movie (a la THX) feels too gimmicky and is counterproductive to the account, as they never tie it in properly with the white blindness theme.

All of the grand political comment intended by the author is unfortunately utterly and completely gone.

Book adaptations never collected satisfy everyone. I’ve seen very tiny cases where the film actually compares with the book (Stephen King’s The Shawshank Redemption, Michael Cunningham’s The Hours near to mind) and I’m guessing this movie would have benefited from Fran Walsh or David Hare as screenwriters, or even a more humble production leaving the actor do what they do.

In conclusion, read the book even if you hated the movie. It’s not awful but judging by the book’s potential something grandiose could have advance out of this.

The book is a extraordinary read, at times laughable, at times sunless, always cunning, at moments even glum but overall a satisfying experience.
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March 10, 2010

Buy Akira’s Hip Hop Shop

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“Akira’s Hip Hop Shop is a short film that leaves the viewer longing for more. James Kyson Lee gives a performance that is subtle, yet smolders with a sexy sensitivity not on indicate in television’s Heroes. The handsome Emayatzy E. Corinealdi portrays a vulnerable young woman who is positive of her dreams. Even if she isn’t certain with whom she’d like to part them with. She has a charming,spunky style that the director captures well. The chemistry between the two main characters in undeniable and immediately draws the viewer into the tale.

The legend itself is a believable telling of an unlikely pairing. It doesn’t disturbed away from intimacy in the physical realm. This realistic portrayal of attraction on all levels is something that other movies about Asian man - Murky woman couples seem to be lacking. These are two handsome young people who fragment many interests despite their vastly different cultural backgrounds. The writer/director isn’t unnerved to address the issues of racial stereotypes that each group may occupy about the other. Yet it doesn’t leave the viewer with a feeling that these two are ill fated, star crossed lovers.

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To be positive, the telling of this record is a fearless undertaking, but it is more than deftly handled. The myth that the filmmaker is trying to philosophize us deserves a beefy feature with a larger budget. However, what this short film lacks in budget, it more than makes up for with heart.”

This is a puny festival circuit gem I came across via a Myspace bulletin. I was cheerful to check it out and I was thrilled when the short film was in the urge for winning a Con-Can Film Festival Japan award. I’m a expansive indie fan and happily watched when IFC and Sundance first premiered with some very innovative films. It’s not the same as it was support when the channels were in their infancy so I missed out on a lot of helpful indies. Thankfully there’s networking all across the procure!

Akira’s Hip Hop Shop stars James Kyson Lee of Heroes fame and Emayatzy Corinealdi of the Young and the Restless fame at the heart of this short film. Akira is a Japanese man hardcore into hip hop and the owner of a music store of the same title. One day in comes a young woman named Daphne who strolls into his store shopping and inquiring if he’s hiring. She’s looking for a section time job while she finishes her degree in Culinary Arts - Major in Japanese cuisine.

Needless to say both Daphne and Akira hit it off apt off the bat but soon are faced with the usual issues of an interracial relationship, the stares from stranges, the stereotypical questions from their friends, etc. And things become even more complicated when a childhood friend at home, one that Akira’s mother has been calling his “future wife” comes for a visit…

The narrative may seem ‘meh’ from my description here but the characters and the heart of the yarn construct this a very charming movie. Based on previous news, the director Joe Doughrity has written a feature length version of the script and is hoping to find that version of the ground this year. There aren’t many romantic movies featuring an African-American heroine and an Asian Hero and I would admire to peer many more where this came from. I’ll be keeping an ear to the ground to observe if and when this comes about because I’m up to discover that version. At its unique time frame, the movie tells a coherent and sweet treasure fable that will surely occupy provide many viewers with a improbable HEA.

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March 5, 2010

Streaming The Preacher’s Wife Online

Streaming The Preacher's Wife Online. Streaming The Preacher’s Wife Online.

Movie Title: The Preacher’s Wife
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The Preacher’s Wife is available for streaming or downloading.

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As a rule I dont tend to warm to remakes of classic films however the Penny Marshall directed Christmas record “The Preacher’s Wife”, is a obvious exception and has become one of my favourite festive season viewing experiences. Based on the classic Samuel Goldwyn film “The Bishop’s Wife”, which starred legends Cary Grant, Loretta Young and David Niven, this 1996 difficulty has a charm and slant on the essentially same tale all its gain. Denzel Washington in the role of an angel sent down to earth to sort out the life of a preacher who has lost examine of what really is well-known, is a most wonderful successor to Cary Grant in the recent film and Whitney Houston in the female lead displays a warm camouflage presense and stout musical talent that couldn’t be bettered in this type of memoir. Amazingly I only saw this film for the first time 3 years ago but it has become a firm favourite of mine ever since. Combining a frail and noteworthy loved Christmas yarn with some truly astonishing gospel singing gives this exertion a really upbeat feel which however never sacrifices for one diminutive the more touching aspects of the epic.

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“The Preacher’s Wife”, focuses on the parish of St. Matthews hurry by Rev. Henry Biggs (Courtney B. Vance), a well meaning and dedicated preacher who has been trying to be all things to all people in his needy location. Along the design through court cases for wrongly convicted minors, leaking furnaces, and offers by local huge wig Joe Hamilton (Gregory Hines), to “upgrade”, to a unique flashy parish of the future, Henry has lost behold of his wife Julia (Whitney Houston), and their exiguous son Jeremiah (Justin Pierre Edmund) . Fair when things eye the blackest and Henry feels he is acheiving nothing an unexpected acknowledge to his prayers for attend comes in the manufacture of debonair stranger Dudley (Denzel Washington), who has a hard time convincing the embattled preacher that he has been sent down to earth by “the gargantuan guy”, to support him with his problems. Dudley has his work carve out for him as Christmas approaches and Henry gets more and more ground down by his duties in the parish. Dudley begins to provide the warm thought companionship that Julia craves considerable to the growing alwarm of her well meaning mother Beverly (Loretta Devine) . The pair go skating, and even go out at night to the jazz club where Julia musty to earn and where Henry proposed to her. Warned off by Beverly, Dudley begins to witness that he is falling in worship with Julia and that that was not why he was sent wait on to Earth. Some well timed intervention in Joe Hamilton’s crass plans for Henry makes the preacher inaugurate to gawk where his genuine value is and what is indispensable to him, first and foremost his family. All things near together for the Christmas pageant and service where Henry reaffirms his faith in God and his family and his status in the world. Dudley realises his work is done on earth and in a poignant finale blesses the family with a beautifully decorated Christmas Tree after which they will not prefer his presense in their lives at all. Dudley attends the Christmas service at St. Matthews but the adults have no memory of him, however Jeremiah detached so young at heart does level-headed know him and wishes Dudley a Ecstatic Christmas before he returns to Heaven with his task successfuly completed.

A truly inspirational and touching epic filled with some comely music and silly pieces is the best device to narrate this attractive dinky movie. I savor all three lead performances here and it’s a joy to perceive Denzel Washington, normally the star of some intensely dramatic films, in such a charming and light hearted role as Dudley. He displays a glorious humorous talent and teams especially well with the other two leads. If ever there was a safe successor to Cary Grant in this role then Denzel Washington is it. Whitney Houston does very well in the role of Julia and she displays a nicely touching persona especially in her scenes with her camouflage son. She of course comes alive in the musical numbers many of which she produced herself. I’ve become a large fan of gospel music after her terrific rendition of such numbers as,”Step by Step”, and especially the prove stopping “I contain in you and me”. Courtney Vance playing the earlier David Niven role of Henry is also pleasurable and his performance contains alot of the dramatic meat of the legend as the essentially kind hearted preacher who is torn too many ways and sees himself loosing his family. His work with Denzel Washington in particular is stamp well-behaved especially in the scenes when he can’t seem to understand honest “where”, this mysterious helper has suddenly arrive from. Other standouts in the cast are Loretta Devine as Julia’s mother in a very comical performance plump of spacious lines and wry observations about what is happening in the Biggs household, and Gregory Hines as tantalizing business man Joe Hamilton who in turn is also affected by Dudley’s presense in his previously rather shallow life. The witness and feel of “The Preacher’s Wife”, makes it a improbable newer Christmas viewing experience and worthy of the credit goes to the church scenes with the St. Matthew’s choir taking centre stage. Their singing and expert handling of all the gospel music is perfect and really gets you into the feel of the season.

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As a “novel”, Christmas memoir I personally feel “The Preacher’s Wife”, is a most pleasurable successor to the well known and greatly loved earlier classics like “White Christmas”, and “Miracle on 34th Street”. Taking a very different slant on the record than the earlier ‘The Bishop’s Wife”, it manages to be wholly unique in its bear diagram and makes exquisite seasonal viewing. Try and peep this touching film next Christmas and I’m positive it will become a treasured share of your holiday viewing like it is in my home.

Contrary to what the reviewer that Amazon.com mature has to say, I loved this movie. Maybe it’s because my worship of gospel music. Maybe it’s because I’m a hopeless romantic. Whatever the reason, this movie is unprejudiced one of those “feel sterling movies” that you can inspect over and over and over again. I like Denzel’s character and he portrays the angel in such a light hearted map. Whitney Houston does her usual radiant glorious music and the supporting cast is titanic as well. Yes, it’s a simple legend. But it will be well worth your time to stare it over and over again. If not for the myth, then for the music. If you esteem gospel music, I highly recommend the soundtrack as well. It’s astounding! Do yourself a favor this Christmas, and seize up a copy of this DVD. You won’t be disappointed!
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March 3, 2010

Stream Jack Johnson: En Concert [BLU-RAY] Online

Stream Jack Johnson: En Concert [BLU-RAY] Online. Stream Jack Johnson: En Concert [BLU-RAY] Online.

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When I saw this Jack Johnson “En Concert” Blu-Ray I expected a high quality live concert! It is called “En Concert”, however, you catch a ton of murky and white film footage of a camera man filming country side images from the car window as they drive past and images of the band surfing with some clips of live shows. I am a fan of Jack Johnson but this is not worth the money…seize the cd for the live music only.
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March 1, 2010

Stream Eyewitness: Fish Online

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Movie Title: Eyewitness: Fish
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I watched all these videos as a child and they began a lifelong esteem of natural science for me! They have a intention of making science inspiring for children. I recommend them!

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I’m getting all nostalgic now.
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February 22, 2010

Watch Blood+, Vol. 1 Online

Filed under: Blood+, Vol. 1 — Tags: , , , , , , — haroldcompton1985 @ 2:40 pm
Watch Blood+, Vol. 1 Online. Watch Blood+, Vol. 1 Online.

Movie Title: Blood+, Vol. 1
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Blood+, Vol. 1 is available for streaming or downloading.

Click Here to Stream or Download Blood+, Vol. 1

Vampires are usually portrayed as sexy mysterious people, or as bloodthirsty monsters. In “Blood+,” you glean two for the effect of one.

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And this modern vampire anime gets off to a solid initiate in the first volume — there’s plenty of gory, taut action scenes, as well as some mystery and insensible exposition. While it’s technically a spinoff of a movie, this series stands easily on its contain — lots of action, monsters, and gallons of vampiric blood.

Saya Otonashi is anemic, and she doesn’t remember anything about her life before she was adopted by a qualified customary, George, and his sons Kai and Riku. Other than that, she’s a perfectly normal Okinawa schoolgirl. Then a monster attacks her, one night at her high school.

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She’s saved by a aesthetic, mysterious man carrying a cello case, who forces her to drink a small of his blood. She destroys the monster in a matter of seconds — unaware that her punky, overprotective brother Kai also saw the monster. Soon American military forces near to super up, and everything is hushes up.

And Saya’s confusion only grows when she finds that George is discussing her mysterious past with a man named David. She goes on a search for answers — both from the cellist, Haji, and from George. But then George is attached by one of the horrid, vampiric Chiropterans, and Saya finds that she may be the only one who can end it.

Technically “Blood+” is actually a spinoff from an older anime movie, “Blood: The Last Vampire.” But while that movie concentrated on action and monsters, the point to seems to be more enthusiastic in exploring a young vampire girl’s growing problems, and exploring this current vampire mythos. And it IS ravishing modern — it’s more like a disease than a supernatural unlife.

The first few episodes basically area up the rest of the series, introducing mysterious organizations, vendettas, and monsters that will accelerate you up into a tree and rip off your head. There are some warm’n'cuddly moments in the Otonashi family, but they’re outweighed by Saya’s obnoxious past, bloody slayings, and David’s organization. And the astounding thing is, there’s peaceful plenty of unanswered questions.

It also has really radiant animation, which is more realistic than many anime series have. Very sleek, gloomy, sharply-defined, and vaguely gothic in appearance, and given extra beauty by the cello melodies that Haji is always playing. The script is splendid satisfactory as well, although most of the best lines are stolen by Kai (”Time to have fun…. without YOU!”) .

Saya is a likable heroine at the originate — she’s an optimistic, ordinary schoolgirl who only has one exact jam (amnesia) . But we do find to survey some of her darker sides when she’s fighting, and Kari Wahlgren does an expedient job with both sides of Saya’s personality.

Most of the other characters aren’t explored yet, but George’s tragic past and Kai’s punky, protective attitude beget them seem very well-rounded. And though we don’t accept grand information about Haji, the cello-playing vampire is an bewitching character. Being voiced by Crispin Freeman doesn’t injure either.

The first volume of “Blood+” is a nice introduction to this gory, fresh action anime, with lots of vampires and buckets of blood. But don’t ogle it after gloomy.

Blood + is more than fair a gory vampire reveal. It shows a long history of two sisters, those who wait on and protect them and why they are trying to demolish each other. It also shows the struggling relationship between Saya and Kai. Kai knows that Saya is a Vampire like monster but peaceful says that she is calm his dinky sister and he will protect her no matter what. There are many underlieing stories combined in the siries than unbiased the main one. I would recomend this to everyone who likes Anime. It is excelently drawn, and very realistic. The go that came before it though, I would not recomend that you peek it. It does not cloak anything about the siries, fair shows what would be a two fragment episode, very poorly drawn and not life like at all. This sieries is Considerable Considerable Powerful Noteworthy, 1000 TIMES Worthy BETTER!
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February 19, 2010

Stream Voltron, Vol. 5: Defender of the Universe-Black Lion Online

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Movie Title: Voltron, Vol. 5: Defender of the Universe-Black Lion
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Voltron, Vol. 5: Defender of the Universe-Black Lion is available for streaming or downloading.

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The final state of Lion Voltron episodes consists entirely of the additional programs produced in a partnership between World Events Productions and Toei Animation after the current GoLion-based shows ran out. Therefore, although the stories are mostly edifying, the describe quality falls far short of the high standard position by the previous DVD volumes. The visuals are often a bit fuzzy and dim, except for the inserted scenes from earlier shows, which are always keen and colorful. The backgrounds are grainy and the characters are not sad or highlighted. Some colors are nearly gloomy (stare the supposedly “Blue” Cat), while others are too pale (like Princess Allura’s formerly hot pink spacesuit) . Nevertheless, the series remains highly exciting, and even features a impress unusual villain by the name of Merla.

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The 3-DVD Dusky Lion Collection consists of thirteen episodes, including involving adventures like these:

“Remove a Robot to Lunch”: A shining scientist named Marianne dons her canary-colored veil and leaves her secret underground laboratory on Caspia to visit the monument on Planet Arus that was once her tickled home, until Zarkon attacked. Soon after the orphaned inventor steps out of her pink and silver shuttle, she meets up with her faded friend, Coran, and is introduced to the members of the Voltron Force. The brainy beauty informs the group that yet another of her unbelievable creations, a highly advanced super-robot, has been stolen by the foul forces of Doom and is now being weak for sinister purposes. When the Lion pilots offer to salvage the robot relieve, Marianne rapidly lets them know, in no perilous terms, that she does not approve of their violent and destructive methods of dealing with problems.

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“Who’s Flying Blue Lion”: Prince Lotor makes a pact with the sadistic Largo–the one-eyed Barbarian King of the Rogue Galaxy–allowing the blue-skinned fiend to consume infinite hordes of green and yellow striped Spider Ships and Shark Fighters to bring the Planetary Alliance to its knees, begging for mercy. Amid his huge army of dusky droids, and with the ubiquitous Witch Haggar by his side, Lotor invades Galaxy Garrison, where the Voltron Force is hosting a conference of desperate galaxian leaders. He snappily takes some hostages, including Coran, and orders Allura to marry him…or else! Will the aesthetic Princess be forced to join the loathsome pointy-eared Prince in unholy matrimony?

“Enter Merla, Queen of Darkness”: When Zarkon convinces the chivalrous Stride–legendary pilot of the saber-toothed Tiger Fighter–that the guardians of Planet Arus are a threat to the galaxy, the undefeated state knight boards his winged cat-ship and zooms off to challenge Commander Keith and the Dim Lion in a duel of claws and swords. Shortly thereafter, the malevolent blue-lipped telepath, Merla, and her armada of combat-craving minions land at Castle Doom, where the cold-blooded vamp easily manipulates the unfavorable mind of the King in order to win Haggar’s best and baddest serpent-faced Robeast. With the green behemoth in her possession, the dastardly Queen heads for Arus with her starfleet, intending to conquer both Fling and the gallant Voltron Force.

“A Ghost of a Chance”: As her pet vulture watches the proceedings from his perch on her left shoulder, the cruel Queen Merla demonstrates her diabolical Cosmotron contrivance on the doubting Cossack, rapid reducing the insolent horn-headed skeptic to a writhing lump of agony. Later, on Planet Arus, a mysterious woman in purple tells the residents of the Valley of Zohar that the “Palm of Venus” dictates that proper King Alfor will soon rise from the tiring, to reclaim his pleasing golden shield. When the radiant Allura learns of the rumored return of her beloved slow father, she journeys to the eerie Rainbow Cave to spy his statue, only to be trapped within the rocky cavern by a massive boulder!

“To Sooth the Savage Robeast”: Inside her humble home amidst the exquisite flowers and rolling hills of Arus, a heartbroken young beekeeper with tear-streaked cheeks strums her harp and remembers her long lost admire, Rowe, who was taken by ultra-droids during one of Zarkon’s savage raids. These days, Rowe is breaking rocks beneath the granite towers of Doom, where he feels the sting of the robot guards’ whips on a regular basis. Ironically, the weary captive’s emancipation finally comes at the clawed hands of the devious Queen Merla. However, Rowe’s long-awaited release from enslavement depends upon one condition: Merla will return the prisoner to the arms of his sobbing sweetheart only if he agrees not to interfere while the pale, pink-haired Queen hoodwinks the unsuspecting harpist into delivering a pitcher of poison to Keith at the Castle of Lions.

“With Friends Like You”: The sharp-toothed Count Zane lands on Arus in a stolen Skull Tank after escaping the oppressive forces of Doom, who have recently conquered his shimmering blue home world, Philos. Once every fifty-two years, Philos’ strange elliptical orbit brings it dangerously end to Planet Arus, and that fateful hour is rapid approaching. Zane informs the suspicious Voltron Force that the lovesick Prince Lotor is now on the royal Peak of Dargon building a temple dedicated to the object of his affection, Princess Allura. The amorous tyrant has also constructed a series of anti-lazon missile launchers, which he intends to employ to evaporate the stately Castle of Lions as soon as the Philos Comet nears the serene Arusian sphere!

Volume Five’s extras include a video laughable book, a montage of unused Season 3 scenes, and a voiceless “lost episode.” There’s also a “History of WEP” featurette with Ted Koplar. The remaining features assist to promote the upcoming DVD releases of Vehicle Voltron shows and unedited Japanese GoLion shows. You’ll want to complete your Lion tin collection first though, `cause as you know, you need all five Lions to execute Voltron!

I received dvd collection in about five days and there was no damages. I bask in the service and the expeditiously process. I don’t know how many times I can say thank you, but thank you so grand.
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February 17, 2010

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I have been writing to this company for years asking them to hold up this property again and they finally did! So you can thank me for this juicy bit of Samurai Cinema. These films are incredible and I would recommend them for anybody (over the age of 18) who loves “Zatoichi” or any other Samurai film or series such as “Lone Wolf and Cub.” Purposeful plots and fun fight scenes splatter across the camouflage in these first four films of Nemuri Kyoshiro, the Son of the Gloomy Mass, as he roams the streets of Edo or the countryside of fuedal Japan. Give these films a try and you wont be disappointed, fail to do so and you may be disemboweled…

I contain the laser disc versions of episodes 1-4 from Animeigo so am eagerly awaiting the ticket going down to ‘upgrade’ my collection of these mountainous films into DVD format. Raizo’s character in this series unbiased doesn’t operate with a consistently apt deck - he is erratic (and thus the films are always surprising. Titanic character.) The middle period of these “Son of Gloomy Mass” films (ep 5-8) have better production values than these four and the series gets more psychedelically baroque as it moves on (not to detriment.) I catch myself not really responding fully to the series (which I eye repeatedly) until episode three. The terrible princess in film three is huge, and the somewhat slower/dark (by that I mean not very shining prints) episodes 1 & 2 are left slack. From this point on the series becomes consistently exceptional, albeit a bit episodic with arbitrary plotting at times. The Shadowy Mass films have replaced the Lone Wolf and Cub flics (the six films) as my current all-time chambarra fix.
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